I taken a lot of Fotos in the last days – please tell me if you think they are good:
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You may love capturing the most beautiful scenes on camera, but what do you do with all those photos? Do they just sit there and take up space on your hard drive, or are they placed inside folders and picture albums? No matter where these photos are, get them all out, organize them, and turn your love for photography into cash; you deserve something. Besides, you should share those breath-taking photos with the world, and your talent should be rewarded.
Before I reveal how you can make money with your photo-taking abilities, I'm going to help get you organized. Organization should be the first step in photography, because knowing where to find what you need will make the whole process much easier.
Let's begin with all those photos you have scattered about: The images on your hard drive, in folders, in photo albums, in your digital camera and etc. Take all those photos and place them in one pile in front of you. Next, separate each photo into similar groups (family, nature, animals, places, etc.). Once you have all your photos separated in groups, place each photo in sheet protectors, and then put the sheet protectors into a binder. As you place each sheet protector — with the photos — in your binder, still keep the photos in related groups in the binder. To keep them in groups, buy lined paper and plastic tabs. Next, place a tab (with the group name) on each sheet of lined paper. Finally, place the lined paper with tab before that group of photos. Later, I'll tell you why you should use lined paper.
Now, set your binder aside and focus on organizing the photos you have stored in your hard drive and digital camera. To organize the photos on your hard drive and digital camera, burn them onto a CD-RW or CD-R using Nero 7. Following are step-by-step instructions you can follow to burn the photos onto CD using Nero 7. The instructions that follow are the way I burn my photos using Nero 7. If you use a different software program for burning CDs, then check your program's help manual for instructions.
1. Start Nero 7. Click “make data CD,” then open with Nero Burning Rom.
2. Drag and drop your picture files from the “my documents” folder (or whichever folder your pictures are stored in) to Nero Burning Rom. Hold down CTRL to select multiple files. To select all files in that folder, click edit, then select all.
3. After you have all the files you want to burn, click “burn” from the top of Nero Burning Rom.
4. Once you click “burn,” you will have to set the options to what you desire. (See glossary in the help menu for an explanation of each term.) Here's what I use for my settings: Under the multisession tab, I select start “multisession disc.” Under the ISO tab, I select mode 1 for “data mode”; ISO 9660 + Joliet for “file system”; Level 1 for “file name length (ISO)”; ISO 9660 for “character set (ISO).”
Under “relax restrictions,” I usually check the following: “allow path depth of more than 8 directories,” “allow more than 255 characters in path” and “allow more than 64 characters for Joliet names.”
For the label tab, I select “automatic,” and in the field for “disc name,” I enter a name for my disc (e.g., family photos, animal photos or etc.).
Under the dates tab, I select nothing for “volume creation,” but for “file dates,” I select “use the date and time from the original file.”
Under the misc tab, the only thing I check is “cache files from disk and network,” but if you don't want to cache your files, you can leave both tabs unchecked.
Finally, under the burn tab, for “action” I select “write,” and for “writing” the “write speed” I select is 48x, and for “write method” I select “Disc-at-once/96.” Next, I enter the number of copies I want to make, and then I check “BURN-Proof,” “use multiple recorders” and “do a virus check before burning.”
5. Hit burn and wait.
See, that wasn't so hard, was it. Now, since your photos are all organized, finding what you need to make money will be a much simpler task.
To turn your photos into cash you will begin by finding magazines, newspapers, businesses and etc. that will buy your photos. Yes, writers make up the content for these publications, but artists make up the covers and photos. Furthermore, to be honest, the greater part of these publications pays more for photos than they do for the written content. How do you find these markets for your photos? Begin with a few searches on Google. Search Google for keyword phrases such as we pay for photos, photo guidelines and sell your photos. When you enter the keyword phrases, place quotation marks around them to search for the exact phrase.
Aside from Googling search terms, another place to find a market for your photos is the current edition of “Writer's Market.” “Writer's Market” is not only for writers, but photographers can use this resource guide as well. The “Writer's Market” specifies if the publication accepts photos, and most of the time it will also state how much pay is given for each photo. Updated more frequently than the print edition is the online edition of “Writer's Market.” Therefore, in my opinion, I think the online edition is the best way to go. A yearly subscription to the online edition of “Writer's Market” is $29.99, a small price to pay for over 100 markets.
Remember when I said to put lined paper in your binder; this is where it comes in play. On the lined paper, you will write the name of each market you find that will take photos in that group. Not only will you write the name of the market, but you will also list their Web site URL, the submission information, how much they pay and the rights they purchase. For example, on the lined paper separating the animals group, write down all the information specified above on the markets that accept animal photos. Then, for the family group, write down all the information on the markets that accept family related photos and so on. Finally, when you're ready to submit your animal photos, using your tabs, you can flip to the animal group in your binder, choose the animal photos you think are best, and then submit those photos to the markets listed on the lined paper in this group.
There are many other ways to sell your photos but you must build a portfolio first, and the techniques mentioned above are the best way to get started. After you have established your portfolio, refer to my article on marketing your photos to discover the many other ways you can make money with your photos.Go ahead and start selling your photos using the system in this article today, and in no time your photo equipment should pay for itself!
Guest Passes let you share your photos that aren't public. Anyone can see your public photos anytime, whether they're a Flickr member or not. But! If you want to share photos marked as friends, family or private, use a Guest Pass. If you're sharing photos from a set, you can create a Guest Pass that includes any of your photos marked as friends, family, or private. If you're sharing your entire photostream, you can create a Guest Pass that includes photos marked as friends or family (but not your private photos). Learn more about Guest Passes!
A bleak, black and white world of prisoners is torn apart by periodic bursts of vibrancy. The diptychs of Michel Séméniako reveal a carefully manicured illusion of personality, almost playing with the popular notion of prisons in pop culture. Pierre Jouve's small collection of youth offenders is perhaps the most engaging of the color prints, but the photographer is left horribly underrepresented. The last room of the exhibition becomes an almost carnivalesque whirlwind of saturation, featuring the intense collaboration of
Anne-lise Dees, Jacqueline Salmon and Catherine Rechard.
Tying the exhibition together is not chronology but classification. Rooms are broken down by location, with contributions by a steady cast of photographers spread throughout. Women's prisons La Petite Roquette and Saint-Lazare reveal a jarring juxtaposition of nuns and incarceration, the role of religion in rehabilitation. The men's– Grand Roquette, Sainte-Pelagie, Mazas and Santé– lay clustered together, more barren and austere. Throughout the exhibition essays on each prison, brief summations of photographers, developments in regulations and politics accompany each turn of the corner.
Table displays collect documents ranging from surveys of accommodations to mugshots of the condemned. An entire room is dedicated to Alphonse Bertillon's anthropometric system to correctly and uniquely measure convicts. Although the texts and diversions prove necessary for a contextual understanding the Parisian prisons in their society, it creates an additional level of commitment for the exhibition visitor.
Multimedia rounds off the experience. Excerpts from two films– one shot at La Petite Roquette, one at Santé– are projected. A narrow hallway, submerged in experimental video clips from multiple screens, presents Les Yeux de L'ouïe, based on Kafka's existential parable Before the Law. A collection of Séméniako prints have been digitized into a slideshow, faces obscured as they pass. A table in the rear room has monitors which allow a rotating fish-eye look into cells. Another small room collects various texts, magazines and other periodicals, some of which can be leafed through.
What the exhibition attempts is admirable, but by sheer scope the exhibition almost defeats itself. The closely packed prints, lengthy texts, and tiny descriptions prove an exhausting tour. By effectively segregating the color prints from historical black and white photos the visit becomes more overwhelming as you advance. However this collection does provide fascinating insight into the world of Parisian prisons, politically balanced and straightforward, which could not be found otherwise. If you cannot budget an afternoon with a coffee break in the middle be prepared to find yourself returning.
The Carnavalet is hosting a series of tours, discussions and other events related to the exhibition. A schedule can be found here.
